"'We Ain't Just Rappers, We Changers of Black Situation': COINTELPRO, Black Nationalism, and the Legacy of Resistance in Five Percenter Rap"

Felicia M. Miyakawa,
Ph.D.
Associate Professor of Musicology
School of Music
Middle Tennessee State University
Felicia M. Miyakawa is Associate Professor of
Musicology and Director of Graduate Studies at the MTSU School of Music.
She received her Ph.D. and M.A. in Musicology from Indiana University
and completed B.A. degrees in both music and French at Linfield College
(McMinnville, Oregon). She teaches undergraduate and graduate courses in
both “art” and “popular” music traditions. She is also a Faculty Member
in the Women's and Gender Studies program and within this program has
taught Introduction to Women's Studies. Some of her signature courses
include Women in Music and Hip-hop Music and Culture.
The recipient of numerous MTSU research grants,
Miyakawa’s research areas include Hip-hop music and culture, Black
Nationalism, American Popular Music, African-American music and
literature, gender and pedagogy, and queer studies. She has presented
papers at regional and national meetings of the American Musicological
Society, Society for Ethnomusicology, International Association for the
Study of Popular Music, the Society for the Scientific Study of
Religion, and the Society for American Music, as well as at popular
music conferences sponsored by the Rock and Roll Hall of Fame and
Seattle's Experience Music Project. Dr. Miyakawa is frequently invited
to speak about her research at colleges and universities around the
country. In 2009, for example, she was a featured speaker at an
interdisciplinary Hip-hop conference held at Arizona State University.
And in the spring of 2012, she spoke twice at Harvard University about
her work in Hip-hop, and once at Northwestern University about her work
in gender studies and music. Her first book, Five Percenter Rap: God
Hop's Music, Message, and Black Muslim Mission, was published in spring
2005 by Indiana University Press. Other publications appear in American
Music, Popular Music, Journal of Popular Music Studies, The Journal of
American Ethnic History, and the new encyclopedia Women and Religion in
the World. She is currently at work on her second book, a biography of
the spiritual “Sometimes I Feel Like a Motherless Child.”
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